RELATIONAL INTERFACE

RELATIONAL INTERFACE

CONNECTING NARRATIVE TO PLACE THROUGH TECHNOLOGY

N’arweet Carolyn Brigs AM, Justin Buckley, David Chesworth, Taylor Coyne, Alexis Farr, Laura Harper, Xavier Ho, Ana Lara Heyns, Sonia Leber, Jon McCormack, Marilu Melo Zurita, Oscar Raby

LOCATION
VIC
Rippon Lea Estate, Elstenwick, City of Glen Eira, Melbourne
Boon Wurrung Country

Hidden Rippon Lea is an immersive sound and augmented reality experience delivered through an app, which explores memory, plant and animal life, infrastructure, and waters at Rippon Lea Estate in Nairm (Melbourne). The project works to challenge the colonial legacies of the site – to recognize that it is Boon Wurrung Country, connected to a wider ecological and hydrological landscape.

We used a relational interface in the app to enable visitors to interact with sound layers through a physical gesture – looking up and looking down. Unfolding soundscapes can be selected and heard by tilting the phone across five horizontal strata of the site: sky, canopy, understory, ground, and underground. This open-endedness invites the listener to explore and influence the soundscape through their own movement in a reciprocal process of exchange. The app overlays a one-to-one abstraction of the underground pipes, visualized as a shimmering refraction of the above ground world, activated as the visitor looks down, beyond the apparent boundaries of the earth. As the visitor lingers, listening, they hear the voice of N’arwee’t talking of looking up and looking down to be aware of our place in Country.

INDIGENOUS ELDER
N’Arwee’t Professor Carolyn Briggs
AM

CLIENT
National Trust of Australia – Victoria,
Justin Buckley


PROJECT LEAD
Laura Harper


RESEARCH TEAM
N’Arwee’t Professor Carolyn Briggs
AM, Justin Buckley, Taylor Coyne,
Alexis Farr, Laura Harper, Ana Lara
Heyns, Maria de Lourdes Melo Zurita,
Jon McCormack


IMMERSIVE EXPERIENCE AND AR
Oscar Raby


SOUND RECORDING AND COMPOSITION
David Chesworth, Sonia Leber, Taylor
Coyne


WEB DESIGN
Xavier Ho


IMAGE CREDIT
Oscar Raby, Xavier Ho, Laura Harper

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JOINING

JOINING

CULTURAL ARCHITECTURE MUST JOIN, NOT SEPARATE

Ashley Halliday Architects, Wax Design, the City of Port Adelaide Enfield, Kaurna Traditional Owners and Yitpi Yartapuultiku Custodian Group

LOCATION
SA
Yarta Puulti (‘Sleeping Place’), Estuarine Mangrove River System, Port Adelaide,
South Australia, 34.51S 135.30E
Kaurna Yarta

Yitpi Yartapuultiku (the ‘Soul of Port Adelaide’) is located on Yarta Puulti (‘Sleeping Place’), an Estuarine Mangrove River System in Port Adelaide. It is a place for Aboriginal and non-Aboriginal people to join and be immersed in Aboriginal culture, to promote a deeper understanding and respect for Country, and to remind us that everything is connected – land, water, sky, cosmos, flora, fauna, body, and spirit.

Kaurna cultural direction required the building should not separate but join. Trails, storylines, and local cultural sites are fluid within and beyond the site, including Tiilbruke, Taltaityai, Lartelare, the Mudlangga to Yertabulti track, and various totems. All trails arrive at the ‘joining place’, a central place at the heart of the site-wide cultural program. The building form is prised apart to form shelter and promote gathering. Seven woven skylights represent a range of key cultural narratives, including the Seven Sisters Dreaming. The long-axis of the building is aligned with ‘Karta’ (Kangaroo Island), and the curved northern end is oriented toward ‘Lartelare’. The portal structure frames views to key cultural reference points through and beyond the site.

participate.cityofpae.sa.gov.au/yitpiyartapuultiku

CLIENT
City of Port Adelaide Enfield


CULTURAL DIRECTION
Kaurna Traditional Owners and Custodians


ARCHITECT/PROJECT LEAD
Ashley Halliday Architects


LANDSCAPE ARCHITECT
Wax Design


INTERPRETIVE DESIGN/WAYFINDING
Exhibition Studios


FILM MAKING
Living Stories


PROJECT MANAGER
Moto Projects


CULTURAL DESIGN FACILITATOR
Brave & Curious


DESIGN COLLABORATORS
PT Design, Lucid, RLB, Cirqa,
Wavelength, Golder, Succession
Ecology, Resonate, Eatscape, D Squared, Buildsurv

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UNLEARNING

UNLEARNING

SHIFTING PERSPECTIVE BY LOOKING FOR, CONNECTING WITH AND NURTURING THE UNSEEN, THE NON-TANGIBLE

Ashley Halliday Architects, Wax Design, the City of Port Adelaide Enfield, Kaurna Traditional Owners and Yitpi Yartapuultiku Custodian Group

LOCATION
SA
Yarta Puulti (‘Sleeping Place’), Estuarine Mangrove River System, Port Adelaide,
South Australia, 34.51S 135.30E
Kaurna Yarta

Aboriginal and non-Aboriginal people alike continue to hurt from the damage colonisation has wrought on the Australian community and Country. Our community is in crisis, and Australia must transcend its selective amnesia toward past genocidal practice, displacement, and dispossession of Aboriginal people to then unlearn, learn, relearn, and evolve together.

Unlearning requires a shift in perspective. To shift perspective, we must look for, connect with, and nurture the unseen, the non-tangible. We must be open to unlearning and re-learning new ways of seeing and doing and appreciating the environment. Kaurna Elders teach that we must embrace two-ness, observe natural harmonies, connect with all our senses (Nindi), with each other, the spirit of the place, and Country.

Without a shift in perspective, Australia will continue to disintegrate socially, spatially, and environmentally. Community bonds will remain fractured, and our shared public places will become commercialized and disconnected from Country. Yitpi Yartapuultiku seeks to reverse this future by blending architecture and landscape with Country, creating a new ‘Dreaming’ – A renewed place of belonging.

participate.cityofpae.sa.gov.au/yitpiyartapuultiku

CLIENT
City of Port Adelaide Enfield


CULTURAL DIRECTION
Kaurna Traditional Owners and Custodians


ARCHITECT/PROJECT LEAD
Ashley Halliday Architects


LANDSCAPE ARCHITECT
Wax Design


INTERPRETIVE DESIGN/WAYFINDING
Exhibition Studios


FILM MAKING
Living Stories


PROJECT MANAGER
Moto Projects


CULTURAL DESIGN FACILITATOR
Brave & Curious
DESIGN COLLABORATORS
PT Design, Lucid, RLB, Cirqa,
Wavelength, Golder, Succession
Ecology, Resonate, Eatscape, D Squared, Buildsurv

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TRUTH TELLING

TRUTH TELLING

SURVIVORS AT THE CENTRE OF THE DESIGN PROCESS

Design 5 – Architects with Kinchela Boys Home Aboriginal Corporation

LOCATION
NSW
Kinchela
Dunghutti

The Kinchela Boys Home project seeks to make legible the devastating and ongoing impact of Stolen Generations policies on the Aboriginal community.

The knowledge holders of this site are the KBH Survivors – the ‘KBH Uncles’. This project is their story and their journey of healing. Too often survivors are placed within the typical processes and hierarchy employed to deliver projects, inherently colonial. They become ‘Stakeholders’ – to be consulted, but not in control.

The ‘KBH Fig Tree’, on the KBH site, was a place where trauma and abuse occurred. Today the Survivors stand at this site and explain that the tree is a living embodiment of their journey. This sense of ownership exists because the Uncles are in control. Just like the powerful roots of this tree that mirror the cantilevering branches above, on a fundamental, structural level, the form of the KBH project is shaped and governed by the Uncles. It moves with them, is guided by them. We as architects must come to see that just like this incredible tree, the Uncles, with the right support, will grow to meet their needs in a way no one could design.

OWNERS
Kempsey Local Aboriginal Land
(KLALC)


CLIENT
Kinchela Boys Home Aboriginal
Corporation


DESIGN COLLABORATORS
Design 5 – Architects, Kinchela Boys
Home Survivors & their Families


RESEARCH
Kinchela Boys Home Survivors
(individual and collective memories),
Kinchela Boys Home Aboriginal
Corporation archives, National
Archives, State Records (NSW),
Design 5 – Architects.


PHOTOGRAPHER
Peter Solness

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‘PAYING THE RENT’

'PAYING THE RENT'

A SMALL PERCENT

Breathe for Aboriginal Housing Victoria

LOCATION
VIC
Reservoir
Umarkoo Wayi – Gangu Gulin Country

We acknowledge the Wurundjeri people of the Kulin Nation, the Traditional Custodians of the land upon which Umarkoo Wayi – Ganbu Guljin stands. We recognise their continuing connection to land, waters and culture.

Paying the rent is a requirement of every nightingale housing project. Nightingale housing have instigated a simple pay-the-rent system, it is only a small percentage of the owners corporation fees per year (we know it’s not enough, but it sends a clear message).

This revenue is donated to First Nations organisations under the direction of First Nations Elders to the Nightingale Housing Board.

The hope is that others choose to do this in the future. and that the money goes to, in some small way, start tackling some of the issues of inequality faced by First Nations people.

breathe.com.au/project/ahv-reservoir

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MEDIUM HYBRID-NESS​

MEDIUM HYBRID-NESS

MEEANJIN CURFEW BOUNDRY

Parafeeld [Ayano Toki and Yohei Omura], NMBW Queensland Office [Andrew Wilson]

LOCATION
QLD
Brisbane
Meeanjin, Maiwar [Turrbal and Jagera/Yaggera]

Our tactic, Medium Hybrid-ness yielded sites adjacent to the curfew boundary established by colonists for Meeanjin [Brisbane] to exclude Turrbal and Jagera people after dark that straddled Maiwar [Brisbane River], an explicit urban marker of the treatment of First Nations people. We amplified First Nations presence and assembled a diverse cultural mix for Meeanjin, where compression of time and spatial density register at medium scale.

We accounted for First Nations significance, changes over time, historical evidence, urban form, networks of social space and current use to unlock the potential of the sites and contribution to the city. Speculations were developed against the backdrop of Brisbane’s selection for the 2032 Olympics and pressures associated with rapid development and population increase. The inner city has attracted significant development generating hybrid conditions often involving fragments of remnant infrastructure.

Here we offer the Story Bridge site, that bisects Kangaroo Point, marking one boundary. We speculate on a lively variety of uses in spaces under the bridge and strategic connections between the bridge deck and Turrbal Country below.

medium-hybrid-ness.com

AUTHORSHIP
The work presented is an outcome of a Masters Research Course run in the School of Architecture at the University of Queensland in Semester 1, 2021.
Fahmi Bahmdan, Bowen Chen, Jonathan Cheong, Thomas Cleary, Andrew Davis, Edward Huang, William Jenkins, Pui Kuan Lao, Eojin Lee, Kevin Li, Mohamad Faris Mohd Asri, Eric Nguyen, Emily Richter, Yutao Shen, Moe Soe, Jinghe Tian, Ryan Wallace, Jack Young, Lingwei Zeng, Rui Zeng

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