ACOUSTIC LANDSCAPES

ACOUSTIC LANDSCAPES

N’arweet Carolyn Brigs AM, Justin Buckley, David Chesworth, Taylor Coyne, Alexis Farr, Laura Harper, Xavier Ho, Ana Lara Heyns, Sonia Leber, Jon McCormack, Marilu Melo Zurita, Oscar Raby

LOCATION
VIC
Rippon Lea Estate, Elstenwick, City of Glen Eira, Melbourne
Boon Wurrung Country

Our tactic, Medium Hybrid-ness yielded sites adjacent to the curfew boundary established by colonists for Meeanjin [Brisbane] to exclude Turrbal and Jagera people after dark that straddled Maiwar [Brisbane River], an explicit urban marker of the treatment of First Nations people. We amplified First Nations presence and assembled a diverse cultural mix for Meeanjin, where compression of time and spatial density register at medium scale.

We accounted for First Nations significance, changes over time, historical evidence, urban form, networks of social space and current use to unlock the potential of the sites and contribution to the city. Speculations were developed against the backdrop of Brisbane’s selection for the 2032 Olympics and pressures associated with rapid development and population increase. The inner city has attracted significant development generating hybrid conditions often involving fragments of remnant infrastructure.

Here we offer the Story Bridge site, that bisects Kangaroo Point, marking one boundary. We speculate on a lively variety of uses in spaces under the bridge and strategic connections between the bridge deck and Turrbal Country below.

INDIGENOUS ELDER
N’Arwee’t Professor Carolyn Briggs
AM


CLIENT
National Trust of Australia – Victoria,
Justin Buckley


FUNDING
Australian Heritage Grant
AHGII000002, Rippon Lea
Endowment Fund, The Drain Man


PROJECT LEAD
Laura Harper


RESEARCH TEAM
N’Arwee’t Professor Carolyn Briggs
AM, Justin Buckley, Taylor Coyne,
Alexis Farr, Laura Harper, Ana Lara
Heyns, Maria de Lourdes Melo Zurita,
Jon McCormack


IMMERSIVE EXPERIENCE AND AR
Oscar Raby


SOUND RECORDING AND COMPOSITION
David Chesworth, Sonia Leber, Taylor
Coyne


WEB DESIGN
Xavier Ho


IMAGE CREDIT
Sonia Leber